2012 London Zion Olympics Close On A Dark Note: The Phoenix Rises, The Star Descends, Bottomless Pit Opened
To use the word 'disturbing' to describe the closing ceremony of the 2012 London 'Zion' Olympics would be a major understatement. It was two hours of frenetic pagan worship rife with occult symbolism, so much so that to try to dissect the whole thing to discover the dark secret message behind each individual segment would be a difficult undertaking, and to no profit. It is unnecessary anyway though because the entire chaotic production was simply a build up to the climatic final scene, which was THE message. And what exactly that message was becomes very clear when it is understood that this build up to the final climactic scene actually seems to have started all the way back at the bizarre scene of Aurora, CO, on 7-20-12; which then connected to the scene of the London 2012 opening ceremony on 7-27-12, as detailed in the two posts linked just below; and only culminated, it now appears, in the grand finale of this final scene of the London 2012 closing ceremony:
The first scene: Colorado Incident Symbology? - Aurora 'Goddess Of The Dawn' And the Rise Of 'The Dark Knight' 7-21-12 "Aurora" symbolizes the dawning of a 'new day', the very "harbinger" of that 'new day' actually - the novus ordo seclorum, i.e. the 'new order of the ages', which is to be realized by her birthing of "Titan", or, the 'sun god', aka Lucifer"...it seems intended to indicate that the 'aurora' of the 'novus ordo seclorum' is upon us, the dawning, and that the next thing to come is that the christ-impersonator, the 'knight of darkness' himself [Dan. 8:23], like the rising of the sun after the dawn, is soon to rise on the earth.
The second scene: Aurora CO And The Olympic Opening Connection: Giant Baby As The Birth Of 'Titan'; And Zion 7-29-12 "As unlikely as it should be, the Aurora, CO incident of July 20, 2012, and the 2012 London Zion Olympics opening ceremony one week later, with the very strange appearance of a 'giant' (titan) baby, when taken together, seem to present a completed picture that goes beyond the realm of chance...A kingdom needs a king of course, and as a kingdom is always personified by it's king, so here now has been the symbolic birthing of the king, and kingdom, of Zion. And, biblically speaking again, the reality is that this king of this Zion, who is 'to rise', the true 'Dark Knight' himself [Dan. 8:23], will turn out to be the biblical antichrist..."
Briefly, as seen in the above two quotes, "Aurora" is said to be the sign of the coming of Titan, or Lucifer; and the London 2012 opening ceremony, as it turned out, was the fulfilling of that sign - symbolized by the birthing of the Titan (the giant baby), symbolizing the arrival of the real "Dark Knight" in the world today, the Antichrist himself. [see both posts for full understanding].
The last segment of this trilogy, the London 2012 closing ceremony, in an incredible way has completed perfectly the picture already drawn and reveals exactly where the Zionist globalists believe that they are now at in terms of their global conquest goals. The message in this final scene of the closing ceremony could not possibly have been any more blatant. There were two parts to it. In the first part of this very dramatic scene the final destruction of the existing world system was demonstrated. This was done by the use of an unmistakable symbol - the rising of the Phoenix. In this instance it was the rising of the phoenix out of the flames of the Olympic cauldron. The significance of this is profound, and cannot be misinterpreted. As most know, the 'phoenix' bird is the definitive symbol of the NWO. The 'phoenix', aka the firebird, as the occult-ology goes, symbolizes the rise of the new world order from the burned out ashes of the destroyed old order. Simply put, the statement is one of destruction to the 'old order'.
To portray this before the world is highly significant. It becomes infinitely more significant when it is understood that this was done just before the Olympic cauldron was to be extinguished. The Olympic cauldron was made up of 204 separate petals, each one a separate flame, and each representing one of the nations of the world. It was from these 204 flames, just about to be extinguished, that the 'phoenix' was made to rise. The 'hidden message' could not be any clearer. As these are the Zion Olympics it can only be taken as a Zionist declaration that the 'old order' is now being 'burned up', so to speak, and that the day of global rule by the 'kingdom of Zion' has dawned, as the omen of Aurora the mythological goddess of the dawn foretold.
The second part of this final scene is as significant, and puts the finishing touch on the entire three part production. After the dramatic rise of the phoenix, another 'firebird' is seen, this time descending from the roof of the stadium with a rider. A song called "Rule the World" by the band 'Take That' is playing and the lyrics "A star so bright you blind me, yeah, yeah...we can rule the world" are repeated over and over.
"A star so bright...we can rule the world". It does not take much imagination to understand this "star so bright" as a reference to Lucifer...who in the occult world is often called, although incorrectly [see 'Colorado' post above], the morning star. The "we can rule the world" refrain is self-explanatory. Over and over they sang though. At any rate the phoenix touches down and the rider departs and begins a dance with the Royal Ballet, performing a piece called "The Spirit of the Flame". This is another very telling detail of the production.
As the dance begins a large opening has appeared in the center of the stage. The phoenix-rider lands, runs toward the opening of the 'pit', the floor rises, four dancers appear, and the phoenix-rider is taken in and lifted in triumph:
This enactment seems very clearly to be a depiction of a scene directly from the ninth chapter of the Book of Revelation in which a description is given of a star (angelic being) falling from heaven with a key to open the bottomless pit, and the loosing of the king of the bottomless pit, Abaddon, or Apollyon - who, being a spiritual being, could very well fit the description of the "spirit" of the flame (note vs. 2 below, the bottomless pit is described as a great furnace). The dance to the 'spirit of the flame' then would be celebratory of the opening of the pit and the release of this spirit:
Revelation of John 9
(1) And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.
(2) And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.
(3) And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power.
(11) And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
The woman riding the descending phoenix is portraying the falling star with the key to open the bottomless pit (vs.1). The dancers coming up out of the 'pit' are the "locusts" (demons) described in verse three. The next scene is a symbolic portrayal of the 'lifting' of the king out of the bottomless pit. The king of the bottomless pit (vs. 11), according to scripture, will become the personage of the biblical Antichrist. He is not Lucifer himself, but is the 'seed' of Lucifer. Lucifer's offspring. It is important to understand this distinction [see 'Aurora - olympic connection' above]. He is a spirit being but will take a human form in some way, by which, in essence, he will then become the devil incarnate. Literally a man-devil.
This Antichrist figure cannot appear on the earth though until the key is placed into the lock and turned. He is to be the "star so bright" - the god of the Luciferians, and he is to be the 'king' of the New World Order. He needs to be out of the pit of course before they can complete their task. As the Luciferian globalists have now displayed the rising of the phoenix from out of the burning flames of the 'nations of the earth', this then has to be the enactment of the opening of the bottomless pit to let their 'king' out. Again, no kingdom without a king. Once the pit is unlocked, the "Dark Knight", alias Abaddon or Apollyon, can rise from the pit. This has now been play acted before the world.
There is still one more critical piece of the puzzle which in an amazing way cements this entire grand production together - the infamous mascots Wenlock and Mandeville. Turns out that their all-seeing eyes are not the only sinister thing about them. Who gets the credit for the first to figure it out is not known, but it turns out that the names Wenlock and Mandeville contain a secret message. A mission statement even. The fact is that the names give the whole story in a nutshell. Unhidden and exposed to the light of day their names say this: 'we unlock man devil'.
Part one, the dawn of the 'new day' symbolized. Part two, the arrival of the kingdom symbolized by the birth of it's 'king'. Part three, the destruction of the existing world system, the rise of the new order, and the symbolic opening of the pit to release the "spirit" of the flame - who is then to rise as the "Dark Knight".
They call it "Zion". Rev. 18:4
***
compare: London 2012 'Zion' Olympics; And Bible Prophecy - The False Zion 7-26-12
also: The next thing - ten kings shall arise Dan. 7:24
and: Chilean mine incident 2010 and the 'Fenix'
9-16-12 follow up: London 2012 Paralympics Closing Ceremony: Manifestation Of Lucifer - and 'Worship of the Beast'
To use the word 'disturbing' to describe the closing ceremony of the 2012 London 'Zion' Olympics would be a major understatement. It was two hours of frenetic pagan worship rife with occult symbolism, so much so that to try to dissect the whole thing to discover the dark secret message behind each individual segment would be a difficult undertaking, and to no profit. It is unnecessary anyway though because the entire chaotic production was simply a build up to the climatic final scene, which was THE message. And what exactly that message was becomes very clear when it is understood that this build up to the final climactic scene actually seems to have started all the way back at the bizarre scene of Aurora, CO, on 7-20-12; which then connected to the scene of the London 2012 opening ceremony on 7-27-12, as detailed in the two posts linked just below; and only culminated, it now appears, in the grand finale of this final scene of the London 2012 closing ceremony:
The first scene: Colorado Incident Symbology? - Aurora 'Goddess Of The Dawn' And the Rise Of 'The Dark Knight' 7-21-12 "Aurora" symbolizes the dawning of a 'new day', the very "harbinger" of that 'new day' actually - the novus ordo seclorum, i.e. the 'new order of the ages', which is to be realized by her birthing of "Titan", or, the 'sun god', aka Lucifer"...it seems intended to indicate that the 'aurora' of the 'novus ordo seclorum' is upon us, the dawning, and that the next thing to come is that the christ-impersonator, the 'knight of darkness' himself [Dan. 8:23], like the rising of the sun after the dawn, is soon to rise on the earth.
The second scene: Aurora CO And The Olympic Opening Connection: Giant Baby As The Birth Of 'Titan'; And Zion 7-29-12 "As unlikely as it should be, the Aurora, CO incident of July 20, 2012, and the 2012 London Zion Olympics opening ceremony one week later, with the very strange appearance of a 'giant' (titan) baby, when taken together, seem to present a completed picture that goes beyond the realm of chance...A kingdom needs a king of course, and as a kingdom is always personified by it's king, so here now has been the symbolic birthing of the king, and kingdom, of Zion. And, biblically speaking again, the reality is that this king of this Zion, who is 'to rise', the true 'Dark Knight' himself [Dan. 8:23], will turn out to be the biblical antichrist..."
Briefly, as seen in the above two quotes, "Aurora" is said to be the sign of the coming of Titan, or Lucifer; and the London 2012 opening ceremony, as it turned out, was the fulfilling of that sign - symbolized by the birthing of the Titan (the giant baby), symbolizing the arrival of the real "Dark Knight" in the world today, the Antichrist himself. [see both posts for full understanding].
The last segment of this trilogy, the London 2012 closing ceremony, in an incredible way has completed perfectly the picture already drawn and reveals exactly where the Zionist globalists believe that they are now at in terms of their global conquest goals. The message in this final scene of the closing ceremony could not possibly have been any more blatant. There were two parts to it. In the first part of this very dramatic scene the final destruction of the existing world system was demonstrated. This was done by the use of an unmistakable symbol - the rising of the Phoenix. In this instance it was the rising of the phoenix out of the flames of the Olympic cauldron. The significance of this is profound, and cannot be misinterpreted. As most know, the 'phoenix' bird is the definitive symbol of the NWO. The 'phoenix', aka the firebird, as the occult-ology goes, symbolizes the rise of the new world order from the burned out ashes of the destroyed old order. Simply put, the statement is one of destruction to the 'old order'. To portray this before the world is highly significant. It becomes infinitely more significant when it is understood that this was done just before the Olympic cauldron was to be extinguished. The Olympic cauldron was made up of 204 separate petals, each one a separate flame, and each representing one of the nations of the world. It was from these 204 flames, just about to be extinguished, that the 'phoenix' was made to rise. The 'hidden message' could not be any clearer. As these are the Zion Olympics it can only be taken as a Zionist declaration that the 'old order' is now being 'burned up', so to speak, and that the day of global rule by the 'kingdom of Zion' has dawned, as the omen of Aurora the mythological goddess of the dawn foretold.
The second part of this final scene is as significant, and puts the finishing touch on the entire three part production. After the dramatic rise of the phoenix, another 'firebird' is seen, this time descending from the roof of the stadium with a rider. A song called "Rule the World" by the band 'Take That' is playing and the lyrics "A star so bright you blind me, yeah, yeah...we can rule the world" are repeated over and over.
As the dance begins a large opening has appeared in the center of the stage. The phoenix-rider lands, runs toward the opening of the 'pit', the floor rises, four dancers appear, and the phoenix-rider is taken in and lifted in triumph:
This enactment seems very clearly to be a depiction of a scene directly from the ninth chapter of the Book of Revelation in which a description is given of a star (angelic being) falling from heaven with a key to open the bottomless pit, and the loosing of the king of the bottomless pit, Abaddon, or Apollyon - who, being a spiritual being, could very well fit the description of the "spirit" of the flame (note vs. 2 below, the bottomless pit is described as a great furnace). The dance to the 'spirit of the flame' then would be celebratory of the opening of the pit and the release of this spirit:
Revelation of John 9
(1) And the fifth angel sounded, and I saw a star fall from heaven unto the earth: and to him was given the key of the bottomless pit.
(2) And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit.
(3) And there came out of the smoke locusts upon the earth: and unto them was given power, as the scorpions of the earth have power.
(11) And they had a king over them, which is the angel of the bottomless pit, whose name in the Hebrew tongue is Abaddon, but in the Greek tongue hath his name Apollyon.
The woman riding the descending phoenix is portraying the falling star with the key to open the bottomless pit (vs.1). The dancers coming up out of the 'pit' are the "locusts" (demons) described in verse three. The next scene is a symbolic portrayal of the 'lifting' of the king out of the bottomless pit. The king of the bottomless pit (vs. 11), according to scripture, will become the personage of the biblical Antichrist. He is not Lucifer himself, but is the 'seed' of Lucifer. Lucifer's offspring. It is important to understand this distinction [see 'Aurora - olympic connection' above]. He is a spirit being but will take a human form in some way, by which, in essence, he will then become the devil incarnate. Literally a man-devil.
This Antichrist figure cannot appear on the earth though until the key is placed into the lock and turned. He is to be the "star so bright" - the god of the Luciferians, and he is to be the 'king' of the New World Order. He needs to be out of the pit of course before they can complete their task. As the Luciferian globalists have now displayed the rising of the phoenix from out of the burning flames of the 'nations of the earth', this then has to be the enactment of the opening of the bottomless pit to let their 'king' out. Again, no kingdom without a king. Once the pit is unlocked, the "Dark Knight", alias Abaddon or Apollyon, can rise from the pit. This has now been play acted before the world.
There is still one more critical piece of the puzzle which in an amazing way cements this entire grand production together - the infamous mascots Wenlock and Mandeville. Turns out that their all-seeing eyes are not the only sinister thing about them. Who gets the credit for the first to figure it out is not known, but it turns out that the names Wenlock and Mandeville contain a secret message. A mission statement even. The fact is that the names give the whole story in a nutshell. Unhidden and exposed to the light of day their names say this: 'we unlock man devil'.Part one, the dawn of the 'new day' symbolized. Part two, the arrival of the kingdom symbolized by the birth of it's 'king'. Part three, the destruction of the existing world system, the rise of the new order, and the symbolic opening of the pit to release the "spirit" of the flame - who is then to rise as the "Dark Knight".
They call it "Zion". Rev. 18:4
***
compare: London 2012 'Zion' Olympics; And Bible Prophecy - The False Zion 7-26-12
also: The next thing - ten kings shall arise Dan. 7:24
and: Chilean mine incident 2010 and the 'Fenix'
9-16-12 follow up: London 2012 Paralympics Closing Ceremony: Manifestation Of Lucifer - and 'Worship of the Beast'
I don't have a TV so didn't see any of the Satanic Games, so thank you for informing me of the symbolism. I'm not one bit surprised at the use of the Phoenix symbol at this time. Next we will see world war III(666) and then we will see the fake Zionist Millennial kingdom. Which is really the 8th King/Kingdom on the earth as per Revelation 17:11, it's king being the Man of sin the son of perdition. But I do believe it will be after a fake 3.5 year tribulation and that the Kingdom will last 150 years before the Lord returns as per Revelation 9, Apollyon will rule for five prophetic months which would be 150 years.
ReplyDeleteJesus Said: For there shall arise false Christs, and false prophets, and shall shew great signs and wonders; insomuch that, if it were possible, they shall deceive the very elect.
Well the elect are being fooled by Christian Zionism, some even financing the rebuilding of the 3rd Temple so that the beast can reinstate sacrifices which is blasphemous. Are you aware that the blue prints have been published?
Bornagain,
ReplyDeleteThe closing ceremony was a horror show - tough to watch. And no i've not heard about the prints being published - no doubt the temple builders are ready...maranatha
This is the link.
ReplyDeletehttp://www.templeinstitute.org/blueprints-for-the-holy-temple.htm
A definate all seeing eye opener it was.
ReplyDeleteAstoundingly bad...real hard to stomach 99% of that production
Bornagain, those are blueprints for only a part of the temple, the so-called "Chamber of Hewn Stone." Whatever that is...not biblical as far as I can tell, but what else would "sanhedrins" be doing? Nothing new under the sun....(btw: if this Comment makes it, it will be after multiple, multiple attempts at entering the characters. Is there a way make the characters less difficult? The audio option sounds likes an alien movie). thank you
ReplyDeleteFollowsTheWay
ReplyDeleteSorry about the problems with posting your comment. There is no way to change it because it's part of the blogger platform. I'm sure you know but the reason it is like that is to keep the robo-spammers out. Your comment came in twice though. (sometimes it times out i think and forces a new attempt)
re: sanhedrin, chamber of hewn stone
Something very interesting about this, and it is found in this quote from the page with the blueprint. Closely read it expresses very clearly the Jewish Zionist mindset of divine mandate to take authority over all the world, i.e. "judges and 'teachers of Torah' to all the world. This is exactly what the "Zion' Olympics was all about - the arrival of the global kingdom of Zion (Jewish in it's essence). This 'global kingdom' is actually to be ruled by the Sanhedrin:
http://www.templeinstitute.org/blueprints-for-the-holy-temple.htm
"The Sanhedrin Chamber of Hewn Stone is but a single chamber in the northern wall of the Holy Temple. It was chosen as the initial focus of the blueprint project, not because of its architectural significance, per se, but because of its overwhelming spiritual significance to the world. The seventy elders of the Sanhedrin have been vested with the authority of the seventy elders whom G-d commanded Moshe to appoint in the desert:
"Then HaShem said to Moses, 'Assemble for Me seventy men of the elders of Israel, whom you know to be the people's elders and officers, and you shall take them to the Tent of Meeting, and they shall stand there with You. I will come down and speak with you there, and I will increase the spirit that is upon you and bestow it upon them. Then they will bear the burden of the people with you so that you need not bear it alone.'" (Numbers 11:16-17)
These elders are not only judges, but also teachers who task is to ensure that "for out of Zion shall the Torah come forth, and the word of HaShem from Jerusalem." (Isaiah 2:3)
This being said, it should also be noted that the Chamber of Hewn Stone sits in close proximity to the Ark of the Covenant, from which the sages draw Divine inspiration."
***
The Jews claim is that they are responsible to ensure that the "word of HaShem from Jerusalem" goes to all the world, and that they will act under "Divine inspiration". That is to say that they believe themselves to be the lords of the earth. Important to note that "HaShem" is the god of the Kabbalah, not the god of the Bible. Also important to note is that when the temple is built it is the Sanhedrin that will have the authority and most likely will make the covenant with the Antichrist, submitting to his authority, giving him the "throne of David" as king of the world essentially - who will of course at a later point enter this very temple and claim to be "God".
Anyway, the Zionists just displayed the phoenix rising, and the Sanhedrin have their chamber all planned...ultimately the rest is Matthew 24 and the book of Revelation.
the mascots were conceived by iris
ReplyDeleteA similarly dark, satanic opening ceremony happened over the weekend for the Gotthard Base Tunnel dug through the Swiss Alps over the past 17 years.
ReplyDelete